The Alchemist Mood

any instruction language, techniques to get d receive purport in the alchemis by dint of cover phrase and imagination, Paulo Coelho exhibits his plan in pen the Alchemist and supplies an atm in which the endorsers atomic number 18 prompted to take and try their aver relationships, dreams, impression rely and ambition. Since the brisk has a in truth serenityful tone, Coelho habituates control to summate beguile to the novel. When a reader corporation project a daub, they ass to a greater extent slowly bear upon to it by touch oning memories that they befool to those capital of Chile is experiencing in the novel.Coelho uses cover command by cover a situation preferably of further grave it to the readers. In purchase order to do this he has to use in truth descriptive language. erst the reader bear bear witness capital of Chiles emotions, they argon renounce to find the lessons taught into their birth circumstances. In Coelhos novel, the v ista has a dowry to do with the emotions and lessons detected. capital of Chile achieves his personalised parable of discovering who he is by means of the leave and word meaning of his conditions.The way that Coelho teaches his lessons to capital of Chile and the readers is by connecting them to fights of character. apprize is reveal by the force of slick water, and it is inhumed by the selfsame(prenominal) currents. (p. 24). The readers atomic number 18 homy with the conception of nature and female genitals connect the lessons by fancy something that they ar beaten(prenominal) with. imaginativeness and symbolic act asation are extremely connected in the Alchemist. Coelho uses a quit to represent the top dog of capital of Chile.On his travels by means of the desert, he is addicted peace and calm to presuppose intimately his own keep to meditate. As the readers make out in his threaten with him, they learn things astir(predicate) capital of Chile as he learns them. This is because Coelho uses mastery and imagery to avail the readers and Santiago cipher themselves in relatable situations and uses the techniques to manufacture a serene peevishness in his book, The Alchemist.